PROGRAMME
FOR THE 4TH INTERNATIONAL
IDEA
CONFERENCE
15-17
April 2009 -
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WEDNESDAY |
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DAY 1 |
MAIN
HALL |
GREEN HALL |
BROWN
HALL |
BLUE
HALL |
GRAY
HALL |
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Welcoming Ceremony Opening Speeches IDEA 2009 Honorary Member Award Announcement of the
5th Idea Conference |
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Liliane LOUVEL “Intermediality and
Transposition between Art and Literature” Chair : Himmet UMUNÇ |
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WOMEN
AND FICTION 1. Huriye REİS: “Reconstruction of the Female
in The Book of Margery Kempe” 2. Feryal ÇUBUKÇU: “The Freeplay
of Signifiers: Conflicts of Good and Evil” 3. Gökşen ARAS: “Ann Veronica: To Live or To Perish” |
MULTICULTURAL
FICTION 1. Mehmet Ali ÇELİKEL: “Body and Identity : Trading
Bodies in Kureishi’s The Body” 2. Mina SALMASIYEH:
“Decolonization in D. H.
Lawrence's works in 1920s: The Plumed Serpent, St Mawr, and "The Woman Who Rode Away”” 3. Hatice EŞBERK: “Multiple Voices of Hybrid Identities in a Postmodern
Text as Opposed to Muted Victorian Characterization: Jean Rhys’ Wide |
POETRY 1. Gülbün ONUR Ayşen ÖZÇİMEN: “Helpless Voices Against
Indifference" 2. Selçuk ERYATMAZ: “Reading T.S. Eliot with
Leibniz in Mind” 3. İlker ÖZCAN : “Exploring and Comparing the
Theme of ‘Connecting Past to the Present’in the
Poetry of Seamus Heaney,Tony Harrison&Carol
Ann Duffy” |
DRAMA 1. Hossein SAFADARAN Mojtaba
SAFADARAN: “Sean O’Casey’s The
Plough and the Stars: Venus Courage" 2. Emine Seda ÇAĞLAYAN: “
A Distinctive Renaissance of a Distictive Nation:
Idea of Nationalism” 3. Simge DURAN: “The Other Who Needs To Be
Understood in The Merchant of |
ELT 1. Antonia SANCHEZ-MACARRO
& Carmen SANTAMARIA-GARCIA: “Exaggerating
Interest to Hearer” 2. İzzettin KÖK & Orkun CANBAY : “Vocabulary Learning Through Vocabulary Learning
Strategies” 3. Bengü AKSU ATAÇ : “A Study on the Student
Reactions to Authentic Assessment” |
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Chair: |
Chair: Didem USLU |
Chair: Aslı TEKİNAY |
Chair: Allan
JAMES |
Chair: Murat SEÇKİN |
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EAST
VS. WEST 1. Fiona TOMKINSON:
“East-West and the Myth of the Empty Quest. A Comparative Study of 2. Alev BAYSAL: “The West Versus the East: Samuel Johnson’s Cultural
Solipsism in Rasselas” 3. Berkan ULU: “ An Image is a Word and a Word
an Image: The Western Eye and Pen” |
TRAVEL
WRITING 1. Ahmet İPŞİRLİ: “Images of a City: 2. Atalay GÜNDÜZ: “The Representations of
Turkish Westernization Project in British Travelogues” 3. Catherine COUSSENS:
“The |
ELT 2. Allan JAMES: “Towards A Sociolinguistic Theory of International
English: Semiodiversity” 3. Münevver BÜYÜKYAZI: “The Beliefs about Language Learning of University
Foreign Language Students and Their Teachers” |
DRAMA/FICTION 1. Erdinç PARLAK & Gökhan
BİÇER: “Caryl
Churchill: Dialectics of Sex” 2. Buket DOĞAN: “Shakespeare’s Hamlet as a Precursor of the Theatre
of the Absurd” 3. Azer Banu KEMALOĞLU:
“Oscar Wilde’s Art and Aestheticism: The
Picture of Dorian Gray” |
POETRY 1.Hande SEBER: “The Representations of Queen Elizabeth I in Edmund
Spenser’s “Aprill” Eclogue” 2. Zümrüt ALTINDAĞ: “William Blake as a Naive and Sentimental Poet” 3.Azad Hamad SHARIF & Ismael
Mohamad FAHMI:
“Coleridge’s Approach and Appraisal of Chaucer and Shakespeare” |
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Chair: Esra MELİKOĞLU |
Chair: Lerzan GÜLTEKİN |
Chair: Dibakar PAL |
Chair: Gülbün ONUR |
Chair: Fiona
TOMKINSON |
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18: 30- 20:30 Coctail
Reception given by the University Rector at Rectory. |
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Thursday |
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DAY 2 |
MAIN
HALL |
GREEN
HALL |
BROWN
HALL |
BLUE
HALL |
GRAY
HALL |
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Susana ONEGA “Narratives that Heal: Trauma and the Ethics of Love
in Contemporary British Fiction” |
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Chair: Atilla SİLKÜ |
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SHAKESPEARE 1. Esin AKALIN: “Shakespeare’s Use of Mythography in Troilus
and Cressida and Anthony and Cleopatra” 2. Nevio CRISTANTE: “Brutus as the Tragic Hero
in Shakespeare’s Julius Caesar: A Study on Its Implications” 3. Mustafa ŞAHİNER:
“The Devils Incarnate: Hellish Verses of Shakespeare’s Richard III and Greene’s
Selimus” |
SELF
AND THE OTHER 1. Bülent TANRITANIR: “(In)visibility in Ralph
Waldo Ellison’s Invisible Man and
Percival Everett’s Erasure” 2.
Alexandra FILIMONOVA:
“Implications of the Myth in The Black
Prince By Iris Murdoch” 3. Hilal KAYA: “Deconstruction and The Importance of Being Earnest” |
ELT 1. Ece ZEHİR TOPKAYA & Serpil GEZGİN: “The Effects of a Training Experience on the Self
Monitoring Skills” 2. Ahmad AMERI
GOLESTAN: “The Impact of Syntactic Priming and Proficiency on
the Production of EFL Learners” 3. Afsar ROUHI & Mehdi SOLHI: “Spatial Intelligence and Learning Idioms Through
Pictures in EFL Classroom Setting” |
GENDER
ROLES 1. Sıddıka AŞIK: “Covert Metamorphosis of Gender Roles in Daphne Du Maurier’s Rebecca” 2. Mine ÖZYURT
KILIÇ: “Female Solidarity in Fay Weldon’s Down Among the Women” 3. Şeyda İNCEOĞLU: “Reading the Silence in the
Maternal Text of Carol Shield’s Unless” |
MODERN
VS. POSTMODERN FICTION 1. Alireza MAHDIPOUR: “Modern vs. Postmodern
Epistemology in the Short Story” 2. Meryem AYAN & Reyhan
ÖZER: “A Mythical Portrait of an
Artist as a Young Modern Man” 3. Cumhur Yılmaz MADRAN “Self/Other
Relation in the Sephere of Literary Discourse in
Martin Amis’ Money” |
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Chair: Günseli İŞÇİ |
Chair: Burçin EROL |
Chair: Gülden ERTUĞRUL |
Chair: Huriye REİS |
Chair: Alev BAYSAL |
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COMPARATIVE
LITERATURE 1. Nazmi AĞIL: “So Long Lives This and Gives
Life to Thee…:A Comparative Study of Ekphrasis” 2. Zeynep YILMAZ KURT: “Cyclical Identities in Janet Winterson’s
Sexing the Cherry and Elif Shafak’s Sufi (Pinhan)” 3. Yasemin YILMAZ: James Joyce’s Ulysses and Orhan
Pamuk’s Snow” |
FICTION 1. Meryem AYAN: “Matter of
Connectedness or Disconnectedness” 2. Eren ALKAN: “Requiem for an Identity: Hybridity,
Gender, and Decadence in Salman Rushdie’s
Shame and Doris Lessing’s
The Grass is Singing” 3. Fatma KALPAKLI: “Hanif Kureishi:
The Buddha of Suburbia” |
ELT 1. Afsar ROUHI & Zahra Javan-AMANI: “Declarative Knowledge: Is it a Must for Uptaking Recasts and Prompts” 2. M.Raouf MOINI: “On the Role of L1 in Learning
Second Language Collocation: Evidence From Translation” |
AUTHORS / CONTEXTS 1. Dibakar PAL: “Francis Bacon and Of Imagination” 2. Oya BAYILTMIŞ: “Roderick Random: A Satire of the British Navy in the Eighteenth
Century” 3. Betül MİNNET: “How Nobel Met Ethnicity? The Ethnic Nobel Prize Laureates of the |
LITERARY SETTINGS 1. Ahmet SÜNER:
“Literature and Literary Study in an Age of Comparative and Universal
Contexts” 2. Rıza ÖZTÜRK: “A Study on Some of Graham
Greene’s Prose Writings: Pubs and Alcohol Drinking Habits in the British
Life” 3. Sinan AKILLI: “Dreaming of a Falling Star: Prophecy, Astrology and
the Turks in Early Modern |
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Chair: Margaret
J-M SÖNMEZ |
Chair: Mustafa
ŞAHİNER |
Chair: Dilek İNAN |
Chair: Nevio |
Chair: Ayça Ülker ERKAN |
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DETECTIVE
FICTION 1. Arpine MIZIKYAN: “The Detective and the
Criminal and Order Restored: A Study of Sir Arthur Conan Doyle’s The Adventure of the Speckled Band” 2. Margaret J-M
SÖNMEZ: “Foreign Voices in British Detective Stories from 1900 to 3. Memet Metin BARLIK: “A Postmodern
Love Story; Reality versus the Ideal: The
Black Prince” |
FEMALE
WRITERS 1. Serkan ALGAN: “Evolving Victorian Vocations as Reflected in Middlemarch” 2.Aytül ÖZÜM: “The Ecological Voice in The Mill on the Floss” 3. Hatice KUM: “Rebellious Edna and Domestic
Adele: Two Feminist Characters In Kate Chopin’s The Awakening” |
ELT /
STYLISTICS 1. Senem DONANCI BÜYÜK: The Use of the Common
European Framework for References for Languages (CEFRL) in Tertiary Level
Contexts” 2. Özge Gül ZEREY:
“ELT Students’ Perspectives on a Performative
Approach to the Study of Theater in Language
Courses” |
POSTMODERN
FICTION 1. Çağlar BAŞOL:
“A Postmodern Analysis of Fanshawe
and Auster in Paul Auster’s
The Locked Room” 2. Elif ŞİMŞEK: “Rewriting of History Through
the Eyes of ‘The Other’ in The Nature
of Blood” 3. Nursen GÖMCELİ: “The Questioning of History, Nationality and
Identity in Timberlake Wertenbaker’s Credible Witness” |
DRAMA 1. Dilek ZERENLER: “Communication: An Enemy or
a Rescuer of a Relationship in the Play Here” 2. Ayça ÜLKER ERKAN: “The Embodiment of Emotions in Thornton Wilder’s Play Our
Town” 3. Wei H. KAO: “Protestant Women, Nationality, and the Black in
Christina Reid’s Three War Dramas” |
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Chair: Gillian
ALBAN |
Chair: Rezzan SİLKÜ |
Chair: M.Raouf MOINI |
Chair: Hande SEBER |
Chair: Nuvid ALEMDAROĞLU |
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Friday |
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DAY 3 |
MAIN
HALL |
GREEN
HALL |
BROWN
HALL |
BLUE
HALL |
GRAY
HALL |
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Terry
EAGLETON “The Death of Criticism?” Chair: Işıl BAŞ |
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DRAMA / WORKSHOP 1. Laurence RAW Özlem CİDELİ Sebiha AKPINAR Aysel GONCA Seda KARASU Esra CEYLAN: “Introducing Shakespeare’s Hamlet” 2. Tuba AĞKAŞ: “Identifying the Theme of “hybridity”
in Different Aspects of Life through the Technical Elements and the Structure
of the Two Acts in Derek Walcott’s Pantomime” 3. Matthias GALLER: “The Old Man in the Pardoner’s Tale” |
FOUCAULT/ DERRIDA 1.Banu AKÇEŞME:
2. Pelin KÜMBET: 3. Uzay KILIÇ: “Understanding Derrida on
‘Structure, Sign, and Play in the Discourse of the Human Sciences’” |
THOMAS
HARDY 1.Zennure KÖSEMAN:
2. Manolya HARNUBOĞLU: “The Female Character As
Victim of Drives and Prejudice: A Study on Hardy’s Jude the Obscure” |
POST
MODERN LITERATURE 1. Zekiye ANTAKYALIOĞLU: “Peter Ackroyd’s Chatterton:
History As Taxidermy” 2. Baysar TANIYAN: “The Golden
Notebook : A Fragmented Narrative” 3. Burcu GÜRKAN: “Crossing the |
NOSTALGIC
FICTION 1. Ayça Ülker
ERKAN & Sibel GÜZEL “Nostalgia or
Transgression: Elizabeth Jane Howard’s Mr.
Wrong” 2. Selçuk ERYATMAZ, Sultan DEMİR,
Zeynep ERÇELEBİ:
“Perceptions of Memory, Culture and Nature in LeGuin’s
Always Coming Home” 3. Youcef LARBI: “Steinbeck and The Grapes of Wrath” |
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Chair: Nazmi AĞIL |
Chair: Esin |
Chair: Arpine MIZIKYAN |
Chair: Meryem AYAN |
Chair: Wei H. KAO |
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THE
NOVEL 1. Gillian ALBAN:
“Love and Loss in Henry Wood’s East
Lynne, George Eliot’s Adam Bede and Mill
on the Floss, and A.S. Byatt’s Possession 2. Claire BRANDEBUR:
“Ishuguro’s The
Unconsoled: Moving the Post in Postcolonialism” 3. R.Aslıhan AKSOY |
CULTURE 1. R. Marcella ÖZENÇ:
“The Teaching of Translation Studies to the Generation of Popular Culture” 2. Zafer PARLAK: “Representation of the West and the Westerners in
the Mainstream Printed Media of 1960s” 3. Mehmet BÜYÜKTUNCAY & Demet
SATILMIŞ: “The Dissenting Youth of
the 80s: Representations of Subcultural POlitics in Made in
Britain and This is |
IRISH
LITERATURE 1.Dilek İNAN: “Conor McPherson’s The Weir : New Master of Irish Story
Telling” 2.Bedrettin YAZAN: “Sectarian Conflict and Inability to Construct a
National Identity in 3. Ş.Nüvid ALEMDAROĞLU:
“Rewriting History in Terry Eagleton’s
Plays” |
ROMANTICS 1. Uğur KÜÇÜKBOYACI “The Desperate Quest of
the Modern Romantic Intellectual: Chasing the World in Malcolm Bradbury’s Stepping Westward” 2. İbrahim KATİP “Creation and Chaos in Mary
Shelley’s Frankenstein” 3. Emre ÇAKAR “Scribo
Ergo Sum: Romantic Irony in Tristram Shandy” |
IMAGES 1. Erik MORTENSON:
“Shrouded Strangers”: Negativity, Shadows, and the Dream in the Work of Jack
Kerouac” 2. Buket AKGÜN: “The Penelopiad: Dislodging the Myth of Penelope as the
Archetype of Faithful and Patient Wife” 3. Taner CAN: “The Burial of the (Un)dead: In
Search of the Uncanny in War Poetry” |
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Chair: Dilek DİRENÇ |
Chair: Laurence
RAW |
Chair: Aytül ÖZÜM |
Chair: Matthias
GALLER |
Chair: Zafer PARLAK |
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15:00- 16:00
WRAP UP |
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DAY 4 A whole day trip: Visiting Pergamon & Allenoi
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